An apron I made as part of a costume contest. It is a festive apron and based on a folk story illustration of Vasilisa by Ivan Bilibin.
Public Domain images.
Embroidery pieces:
Cuffs - Pattern darning and blanket stitch for edge:
Top panel - Chain stitch:
This is a copy of a 19th century design from a ceremonial towel.
Bottom panel - Double running stitch:
This design is from the areas near Finland and Karelia.
Back panel - Patten darning:
Whole front of apron with crochet border:
The embroidered garment is on a 19th century style apron with sleeves. The
embroidery is within the SCA period of pr-1600. Thread used is double thickness
40/2 Normandy linen. Fabric is Burnley and Trowbridge medium weight
linen. It is the closest to even weave linen that is densely woven
enough for clothing. Red panel is Kona cotton, which is closest to a
popular red fabric used for traditional Slavic clothes as accents called
Kumach.
The red panel in white thread embroidery is with chain stitch done
with needle, cotton crochet thread. Chain stitch comes from early period
Asia. It arrived in the Slavic region by mid period, the most archaic
tree of life and similar designs are shown with this stitch.
Traditionally it is done with a needle not a hook. Use of a tambour hook
is post-period but becomes quickly widespread because of it’s speed.
Redwork bottom section is all double running stitch, it is a
completely double-sided embroidery. The cuffs and back panel were done
with Nabor style pattern darning with braid stitch borders. Cuffs
include blanket stitch embroidery at the fold to protect the fabric.
Nabor and red work double running stitch shows up in the Slavic areas in
the later period most likely traveling up from Egypt and middle east as
similar embroidery work is present there from at least the 9th century.
From my own observations redwork embroidery, while it uses the same technique as blackwork, the designs themselves less lenient with thread
count. Evenweave or very close to it fabric is required. Nabor gives a
bit more leeway in fabric choice if evenly woven fabric is not
available. It is more sensitive to weave density. Dense structure
prevents wrinkling of the fabric. For looser woven fabric other
techniques such as counted satin or brick stitch should be used instead
to get the same pattern.
Annotated References:
Ellis, M. Embroideries from Islamic Medieval Egypt in the Newberry
Collection, Ashmolean Museum, Oxford. Textile history. Col 32.1, pg
61-74.
9th through 13th century embroidery in Islamic
Egypt. Same types of stitches as found in folk Russian embroidery.
Motifs are different. Several example images presented.
Маслова, ГС Народная вяшивка восточных славян, в частности русских: Орнамент Русской народной вышивки как историко-этнографический источник. (1975)
Notes that motifs used in folk embroidery of the 17th through early 20th centuries draw significantly on motifs at least as old as the 11th and 12th centuries, before full Christianization of Russia.
Малахатьков У.В. Архаические мотивы вышивки в искусстве Русских Томской области. (2007)
Backs up the above conclusion as pertaining got Tomsk obrast of Russia.
Gillow, John, and Bryan Sentance: World Textiles, Bulfinch Press/Little, Brown, 1999, ISBN 0-8212-2621-5, p. 178
Chain stitch dates back to the Warring states period of China, 5th to 3rd century BC.